Category: Digital art

“I’m currently on an oceanographic research vessel somewhere in the Pacific, and may be slower than usual to reply.”

—Memo and Katie’s out of office, while working on this project.

I never played WoW, but I’ve played this so I’ve kind of played a person playing WoW. It’s a work of interactive nonfiction and fiction, with a full computer desktop, some light gameplay, and a healthy amount of reading.

Video with alpha channels still has very weird support in 2025, which I would categorize as a “bad” surprise. Don’t think about that when you’re watching the newest On the Hour commission though because it’s good, especially the 🐉.

Between Sapponckanikan and this project with Ashley Zelinskie I do Unity now, sort of. Twin Quasar explores gravitational lensing and two works in the museum’s collection, and can be viewed on MONA, whitney.org, and an app on Apple Vision Pro. I mostly worked on prepping the archival version.

I worked with Steven Fragale to revive this 2019 augmented reality (AR) work for re-release in 2024 on both the Apple and Android app stores, in addition to an exhibition-specific build for display on iPad.

I’ve watched a billion hours of TikTok but unlike Maya Man I have nothing to show for it, who I worked with for the first true On the Hour commission for whitney.org.

For the 2024 Whitney Biennial I worked with Holly Herndon + Mat Dryhurst to build an app that takes user generated prompts and creates images with SDXL and a custom LoRA.

After [too long] all 57 artport “Gate Pages” are properly archived and mostly working again. This series ran from 2001 to 2006, and it’s an interesting time capsule of an experimental era, filled with Perl, Flash, and Java applets.

The Maw Of is an immense, incredible project with a ton of moving pieces. And some of those pieces took a fair bit of work to adapt to the museum’s various systems, including an IRL installation for Refigured.